
We read before we pitch
Before your agent suggests a role, she reads the script, the director's last two films and the production's budget. If the part is thin or the producer is slow to pay, she will tell you before you travel.
Hallbrook Talent is a boutique agency with thirty-eight clients and six agents. We represent actors, directors, writers and online creators, and every client has a named agent who knows their next three projects and their last three contracts.
Agents read every submission. We reply to promising reels within three weeks.

Talent is the product, and the job is to keep your name in the right rooms. This is how we work.

Before your agent suggests a role, she reads the script, the director's last two films and the production's budget. If the part is thin or the producer is slow to pay, she will tell you before you travel.
Our in-house business affairs lawyer reviews every offer, from a short commercial to a multi-year series commitment. You see the redlines and understand each clause before you sign.

Every client has a yearly career meeting. We set goals for the next twelve months, map the people you should meet and decide which roles to turn down.
Clients have their agent's mobile number. For urgent offers we promise a reply within two hours on weekdays and by noon on weekends.

Scale plus 30 percent and a producing credit
Television

Final cut on the first assembly
Film · Directing

Two-season guarantee
Television

Seven-figure total value
Brand partnerships
Send a headshot, a CV and a reel of no more than three minutes. We watch everything in full.
If your work fits, you will have a forty-minute call with the agent who would represent you.
We share our standard agreement before you decide. No exclusivity clause runs longer than two years.
Your first career meeting sets goals, target roles and the first ten meetings we will arrange for you.
“Hallbrook turned down an offer I wanted because the payment terms were wrong. Six weeks later the same producer returned with a better one.”
“I have had agents who never read my scripts. Dana read the pilot twice and sent me three pages of notes before our first call.”
“From the first conversation they treated me like a business, not a face. The brand deals I get now are twice as good as two years ago.”
Send us your reel and a paragraph about the work you want to make. An agent will watch it and reply.